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2012年9月3日 星期一

All about Fender Strat: 小芬的故事

被我拋棄的七個老情人

我看吉他論壇的許多朋友, 最喜歡的Fender吉他大概就是 Stratocaster, 很多人暱稱為"小芬"

我過去也收集過不少"小芬", 奇怪的是似乎沒有什麼緣份, 最後才碰到二個比較喜歡的"小芬". 一個是日本姑娘. 一個是假小芬.

過去買過不少"小芬", 出乎大家意料之外, 我並不是那麼喜歡而分手. 讓我慢慢說出這些愛情史給大家聽.

第一把小芬是1996年Fender 50週年出的限量發行紀念琴, 在eBay 買的, 非常漂亮, 琴面是漸色的火汶班加上金色配件, 明亮耀目, 可是彈起來似乎沒有特別的喜歡, 她是個長的很正的"淑女型", 但一起玩時似乎太平淡不夠活潑﹐覺得沒有太大樂趣, 變成不是那麼喜歡彈她, 後來把她拿去換了2006年的 Jazzmaster, 價格而言相當合算﹐彈奏音色也符合我的沖浪樂曲。

 不能說她不好, 也不是不喜歡她, 而是沒有嘗試去了解她.

圖檔

第二把小芬是1997?年的 Lonestar, 也是在 eBay 買的, 記得 PU 是比較熱的那種, 買了不久試彈不喜歡﹐馬上拿去換PRS 去了.  這把好像是相親的姑娘, 或網上認識的女孩初見面後, 覺得像是老實人碰見“潑辣姑娘”招架不住。 見一次面馬上急煞車分手, ﹐還好換琴時價格還不錯﹐把她當個踏腳石了。



第三個小芬是個日本姑娘, 1996年Ventures日本生產的紀念琴, 由Ventures 的主奏吉他手Gerry McGee 設計用三個 Lace-Sensor PU.  開始時不會調, 聲音很泥很不喜歡, 就不理她了, 後來調對以後, 發現聲音不錯, 從清晰音到高度Distorted 音色都不錯, 才慢慢喜歡. 這好像是"國際新娘", 開始有溝通問題, 無法聯絡感情, 日久後習慣對方後才慢慢相互了解, 覺得對方還不錯... 這把是隨著1996年Ventures 的Jazzmaster 和Jazz Bass 一起嫁過來的﹐即使不喜歡也不沒有想到要把她休掉。 後來有位買家出不錯價格, 但堅持三把一起才買. 只有讓她走了.

圖檔

第四個小芬是1976年的老琴, 所以叫她"老芬"吧, 去紐約買;投機者主奏Nokie 的私人HItchHiker 吉他順便很便宜買到的.  帶回來後發現, 音色雜雜的, 送去清理一番, 但彈起來還是一點也不喜歡, 手感音色都不中意, 就把她打入冷宮, 她變成"深宮怨婦",   幾個月前以三倍價格賣給德國人. 我覺得這把琴只是年代老, 並沒有老琴該有的甜美音色, 虛長幾歲﹐依老賣老而已(好像在說沙漠叔自己), 所以各位買中古老琴一定要試音色手感, 不要迷信"年份"

圖檔

第五個小芬是在 Craigslist 買的二手琴, 是2005年出的1956年Custom Shop Relic Stratocaster, 按1956年的規格忠實的複製﹐連油漆上都做點龜裂仿古, 我對Relic沒有特別喜歡或不喜歡 (價格反而高, 收藏性更高), 但喜歡的是找到了1956年的古典音色.  可是手感沒有Grosh的RCS假小芬好, 有個機會去換把好琴, 算算很花的來. 就是把她休了.

 

第六個小芬就是在 Craigslist 買的一把拼湊的二手吉他。是1965年的琴身重新塗裝﹐1965年的拾音器﹐1972年的琴頸拼湊的琴。 因為塗裝成暗色﹐他把拾音器蓋子換成黑色﹐不過原裝蓋子還留著﹐琴橋也是。音色和彈奏應該還是 65 / 72 Strat 的味道。

這種身份不明, 玩起來又不對味的姑娘, 還是早早分手.

 

 第七個小芬就是在 Craigslist 買的一把二手吉他57 Vintage reissue.  沒有日本小芬姑娘歌聲美妙善解人意. 相比之下不能都留, 只好和她說再見了.

 
 
第八個小芬是向朋友買的一把日本製的 Hank Marvin Signature Stratocater 二手吉他, 非常適合我喜歡彈奏的投機者The Ventures 和影子樂隊The Shadows 的曲風. 而且是和其他隊友相同的節慶紅色 Fiesta Red (影子樂隊的專用色).

買過好幾把 Fender Strats 但都先後賣掉或換掉, 只剩下唯一的這把日本製天天用的日本小芬.



第九把Don Grosh Retro Classic Strat 雖然不是真正的Fender品牌,  她是我目前最喜歡的小芬. 每次彈她都覺得她的琴頸摸起來真舒服.
 

上面的1-7把小芬全部不在身邊. 我現在拿的是日本製的Hank Marvin Signature Strat 和 Grosh的仿照品 RCS 假小芬.
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2009年10月1日 星期四

1972年 Fender Mustang 野馬吉他 (Sold)

有歷史價值的便宜沖浪吉他

60年代沖浪搖滾音樂流行, 青少年紛紛組自己的小樂隊在車房地下室練習, Fender公司在1965年把公司賣給CBS前針對市場需要設計了一把合適年青人口味口袋的吉他, 價位在Duo Sonic 和Telecaster之間, 稱為野馬(Mustang), 相當成功.

愛沖浪吉他的我, 找野馬吉他很久, 一直沒有看到全部原裝的, 不是重新塗裝就是換了拾音器, 今天在eBay上看到一把狀況不錯的原裝琴, 只有Pick guard 換成68年的, 原來72年的Pick guard 一角斷掉, 還留在盒內。 雖然不是我要的1965年版﹐但難得看到如此乾淨便宜的野馬﹐就買下來了。

1965-1972 年規格沒有大變動﹐1972年以後才做較大的改變﹐一般人比較要收集1972以前的野馬。 Mustang有 24"和22 1/2"長短兩種,, 我這把是24"的, 雖然短的收藏性高些, 我還是喜歡比較長的. 比較好彈. 古董野馬藍色最值錢, 白色紅色次之, 不過藍色白色很容易褪色, 我的是1972年才有的漸淡日出色(Sunburst)

1969-1972年Fender改做琴身上有賽車條紋的Mustang Competition琴, 收藏性高但基本上是相同的琴. 1972年 Competition型號停產後又回來做普通型號, 加了一些顏色選擇. 到了1982年後停產, 現在的野馬都是進口琴.

Fender1972Mustang01.jpg picture by timelineguitars

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Fender1972Mustang06.jpg picture by timelineguitars

Fender1972Mustang13.jpg picture by timelineguitars

http://fendermustangstory.com/default.htm

First, there was the Musicmaster

In the spring of 1956, Fender released a pair of "student" electrics with 22-1/2" scale and 21-frets. The one pickup version was the Musicmaster ($119.50) and the two pickup version was the Duo-Sonic ($149.50). Both of these guitars were equipped with anodized gold finished metal pickguards, a one piece maple neck and stark white pickup covers. Both models had one volume and one tone control and used the same knurled knobs found on the Telecaster & Precision Bass. The Duo-Sonic had a three position switch on the shorter horn of the body. These models were offered only in Desert Sand (sort of an opaque "Blond" color that was already being applied to lap steels). In mid-'59, the fingerboard was changed to a slab of Rosewood on these models, along with the rest of the Fender line. At that time the standard finish was changed to a tan color (name unknown), the pickup covers were changed to dark brown plastic and the pickguards were changed to a cream colored plastic. By mid-'61 the standard color was changed to Shaded Sunburst (sometimes called "Maroon Burst" or Sienna Burst) and the plastic pickguards became stark white. By mid-'62 the fretboard went from slab to curved Rosewood, and by mid-'63 the standard color changed from Shaded Sunburst to White. White guitars were fitted with Tortoise Shell pickguards with stark white pickup covers. These models were unchanged until mid-'64 when the overall design was upgraded to match the new Mustang. The Duo-Sonic's selector switch was changed to two slider switches also found on the Mustang. The color availability was commonized with the Mustang offering also. These models were then made available with a 24" scale and 22 frets and were reintroduced (at the same time as the Mustang) as the Musicmaster II and Duo-Sonic II respectively. The optional scale lengths (22-1/2" and 24") were shared with the Mustangs.

Check out the Musicmaster and Duo-Sonic Photo Gallery for more info on these guitars.

The 1964 Fender Mustang

The Fender Mustang was introduced in August 1964. This guitar was essentially a Duo-Sonic with a Dynamic Fender Vibrato. It was available in three colors: Red, Blue, and White. Although similar to Fender's custom colors of the time: Dakota Red, Daphne Blue, and Olympic White, these namings were apparently never used on the Mustang. They were just plain Red, Blue, and White. The Red and Blue ones came with white pearl pickguards (white pearl-black-white), black pickup covers with no pole piece holes, and black slider switches. The White ones came with red tortoise-pearl pickguards (red pearl-black-white) and white (creamish) pickup covers and white slider switches. The white slider switches were made of different material than the pickup covers and tended to stay whiter and not age to a greenish gray color like the pickup covers.

The specifications for Fender Mustangs change relatively little over the years. Here are the basic specs of the Mustang in 1964:

  • Poplar or Mahogany slab body (Note: as of March 2000, I no longer believe Mustangs were ever made with Alder body wood.)
  • "Patriotic Colors" Red, White, and Blue
  • Maple neck with rosewood fingerboard
  • Two single coil pickups with black base plate
  • Small headstock with Transition Fender Logo
  • One string guide
  • Kluson tuners with plastic oval knobs
  • White dot finger board markers (sometimes Faux pearl dot inlays)
  • White pearl neck side markers on the seam of maple and rosewood
  • Brass shielding plate in the pickup, slider switch, and control cavity
  • Two slider switch ON-OFF-PHASE for each of the two pickups
  • 12 screw pickguard
  • 3 screw control plate
  • Dynamic Fender Vibrato
  • White Tremolo Bar Tip
  • L-series neck plate
  • One volume one tone with black plastic knobs with white marker line
  • Headstock numbers (early '64): DES. 186,826 PAT. 2,960,900 2,741,146 & PAT. PEND.
  • Headstock numbers (late '64): DES. 186,826 PAT. 2,960,900 2,741,146 3,143,028 & PAT. PEND.
  • 24" scale with 22-frets standard (optional 22-1/2" scale with 21-frets). Most '64 Mustangs appear to be shipped with short scale length necks with "A" neck widths (1-1/2").

The 1965-1966 Fender Mustang

A couple of things changed in late 1965 to early 1966. The biggest change was the enlargement of the headstock, in line with the BIG HEADSTOCK found on other Fender guitars of the time. The tuners also changed to "F-keys" with sort of square-ish white plastic pegs. The neck plate changes to "F-series" plates. The pickup's base plate changes to gray color. An additional patent number appears on the Headstock. So, to summarize the changes:

  • Large headstock
  • F-key tuners with white plastic squarish knobs
  • F-series neck plate
  • Single coil pickups with gray base plate
  • Headstock numbers: DES. 186,826 PAT. 2,960,900 2,741,146 3,143,028 2,817,261 & PAT. PEND.

The early '70s Fender Mustang / Competition Mustang

Around 1970, the regular Mustangs were discontinued and replaced by the Competition Mustangs. None of the feature on Mustangs really change until about 1973 and since a '67 Mustang isn't really worth more than a '72 Mustang, I don't think anybody really took great interest during this era unlike the more expensive Stratocasters and Telecasters. Besides, Fender stopped dating the neck in this time frame and started using codes that require deciphering, making it doubly difficult to tell the manufacture date (yes, you can still look at the pot dates). Greg Gagliano has deciphered the neck coding of this era, check his article out in the link just below. I know as a fact that there are Red, White, and Blue Mustangs with body contours so my guess would be that the regular Mustangs continued into 1969 and was replaced by the Competition Mustangs sometime during 1969. The Competition Mustangs were made in lefty versions also, although they were probably a special order item.

Here's a 1970 Fender Color Chart. It shows the following colors for the Mustang:

  • 510 Competition Orange
  • 511 Competition Burgandy (I think they really meant Competition Blue)
  • 512 Competition Red

This chart also shows the plain "Red" (color code 515) and plain "Blue" (color code 517) used on the Musicmasters and Duo-Sonic. These colors were used on the pre-'69 Mustangs and were not called "Dakota Red" or "Daphne Blue." Competition Orange is not shown on the 1972 Color Chart so it looks like this color was dropped after one or two years.

70's Fender Neck Code Deciphering

Around 1972, the Competition Mustangs were discontinued. At about the same time, the pearl pickguards were discontinued and the pickguard was changed to a regular white plastic pickguards (white-black-white). 3-tone Sunburst, Natural, Walnut, Black, White, and Blonde were colors available in the post-Competition era. The Fender Logo changes to the black modern logo in 1972. Around 1974, the second string tree was added to the headstock, a bit later than Stratocasters and Telecasters - Competition Mustangs (1970-1972) typically only have one string guides but black pickguard Mustangs (1976 -1982) all have two string guides. I owned a 1974 that had two string guides. Fender probabaly resisted adding the second string guide on the Mustang to save 10 cents on production cost.... The "F-key" tuners now have chrome squarish knobs and are commonized with Stratocasters and Telecasters. The body of this era can be Poplar or Ash. The Ash body is gradually reinstated on non-Blond Stratocaster from around this time. The Ash body appears to have been used on Blonde and Natural colored Mustangs only. The side marker dot changes around this time to black dots on the maple part of the neck.

  • Competition Colors discontinued
  • Poplar or Ash body
  • Modern black Fender Logo
  • White-black-white plastic pickguards
  • Second sting guide on headstock
  • F-key tuners with chrome squarish knobs
  • Black plastic side marker dots
How do the switches on the Mustang work?
Author: Webmaster

The mustang switches are simple on/off switches which control the direction of current flow through the pickup it is positioned above.

switch in middle (off) position:
-0-

switch in back (towards bridge) position:
0--

switch in forward (towards neck) position:
--0

both pickupsoff:
-0- -0-

both pickups on:
0-- 0-- or --0 --0

both pickups on, out of phase with eachother:
0-- --0 or --0 0--

All the combinations:

-0- -0- both pickups off
-0- 0-- neck pickup on (back)
-0- --0 neck pickup on (forward)
0-- -0- bridge pickup on (back)
0-- 0-- both pickups on, inphase
0-- --0 both pickups on, out of phase
--0 -0- bridge pickup on (forward)
--0 0-- both pickups on, out of phase
--0 --0 both pickups on, in phase

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2009年9月11日 星期五

吉他收藏(25):古董吉他零件拼湊琴﹕

1965 Fender Strat Project: 1965年琴身 + 1965年拾音器+ 1972年琴頸

[這把吉他我請師傅把她弄回1965的線路﹐拿掉 Booster﹐改回65年的古典音色﹐現在彈起來悅耳多了﹐已經有人出高幾百元買這把琴﹐我還在考慮中﹐告訴他讓我玩玩她幾個月再說﹐如果日久生情就不賣了]

看到芝加哥郊區附近有人在賣一把拼湊的吉他﹐是他1970買來改裝復原的。是1965年的琴身重新塗裝﹐1965年的拾音器﹐1972年的琴頸拼湊的琴。因為塗裝成暗色﹐他把拾音器蓋子換成黑色﹐不過原裝蓋子還留著﹐琴橋也是。音色和彈奏應該還是 65 / 72 Strat 的味道。

他想換 Les Paul 的吉他。正好我有一把 Les Paul Standard Plus 一直想賣, 就和他聯絡。這個人是郊區蠻有名的吉他手叫特德金 (Tadd King)﹐在芝加哥的風味節慶 (Taste of Chicago)表演過。我向我的吉他師傅瑞克打聽﹐知道這個人很實在﹐而且那把琴在80年代瑞克幫他整修的﹐他說和他換絕對划算。有瑞克的背書我就放心交易了﹐就帶琴去找特德金。他住的地方離芝加哥市區很遠﹐不過正好和老頭沖浪隊的主奏 Walt 同地區﹐我星期三就一起拜訪。

特德試了我的琴﹐很喜歡。不過說還有兩個人也會帶不同的 Les Pauls 去考慮換﹐他再回我話。昨天特德決定換我的琴﹐我們約在大家半路的瑞克店見面。換完瑞克告訴我你撿到便宜了﹐玩膩後把吉他拆開賣零件都可賺不少錢。 昨天去 eBay 看﹐1965年的拾音器有人已經標超過$1000美金。1965年的琴身重新塗裝﹐1965年的拾音器﹐1972年的琴頸, 和其他零件琴橋和搖手應該可以賣超過美金$2500。1965年完全原裝狀況好的 Stratocaster 在市場叫價美金$12000 以上。

琴身上有一個蛇頭的圖案看來很酷﹐但是沙漠嫂很不喜歡。

下面是一些照片﹕

1965FenderStrat1.jpg picture by vk888

1965FenderStrat2b.jpg picture by vk888

1965FenderStrat3.jpg picture by vk888

1965FenderStrat3a.jpg picture by vk888

1965FenderStrat4.jpg picture by vk888

1965FenderStrat5a.jpg picture by vk888

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[Tadd King 真有禮貌﹐星期五買了當晚後就拿去 Sandwich, IL 表演﹐星期六發郵件給我說昨晚用她表演﹐音色棒透了﹐他的團友稱讚不已﹐我很高興我的 Les Paul Standard plus 找對主人了]。

"Vince:
Played the LP all night last night at my gig. Wow, it really sounded great and played nice too. I got a lot of complements on the overall tone.
Stay in touch.
Tadd"

GibsonLesPaulStd2.jpg picture by onemanventures

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